Portrait of Jes in a green beaded vest, surrounded by greenery. They look off to the side, hair partly covering their face. Their tattoos are visible on their chest and arms. Beneath the photo, highly stylized text reads: Forgetting Tree.

digital program

Forgetting Tree is conducted by Jes DeVille, co-produced by Queer Cat Productions and Openhaus Athletics

ABOUT THE SHOW

It is said that the rise of the Kingdom of Dahomey coincided with the European slave trade. They prepared each person for their long, dark voyage with deep magic - a forced promenade around the Tree of Forgetting to wipe all memory before loading into ships. Sometimes, you need to sleep, to dream, to survive. This dance-theater-circus ceremony is part of a cultural memory project exploring spiritual ecology and our shifting social climates across Queer, Black, Latine, and Filipino immigrant communities. It begs to ask how we can remember ourselves home, remember ourselves into rest, and most importantly into interdependence. The truth of the turning is “relationship.”

This cultural memory project explores spiritual ecology and our shifting climate across Queer, Black, Latine, Filipino and various other immigrant communities. Audiences are welcomed to cross the threshold of our intimate theater lobby to consider society's storied footprints of past, present, and future. In this space we reclaim time - stepping out of linearity to tend to our collective growth and transformation; to unearth old histories; and to discard outdated ones.

This project uses a social permaculture design framework to cultivate its wilds. Presented by an intergenerational collection of collaborating artists, our nonlinear story traverses sky, land, and sea. Stimulate your senses - look, touch, smell, and taste our living library of traditional medicines from across the globe. Enjoy the 360° show as our artists transcend tradition, exploring their mediums in new and improvised ways.

You’ll encounter the real-time mythic transformation of humans turned Landcestors and experience the blurry edges of life large and microscopic; Fractals of our feral but forgiving Earth. Come and go - enjoy the show!

Portrait of Jes sitting in a rattan chair. They are looking directly into the camera with their head tilted. Their right arm is resting on their knee. They are wearing a deep green vest and red wine pants.

About the Plants:

The plants selected for our budding physic garden have been honored throughout antiquity, used in medicine and surgery, as well as in domestic and liberatory spaces. There is an emphasis on varieties that have stories of evolution stemming from folk remedies to the development of more synthesized iterations used within clinical environments. Some of these plants include: Teosinte, lavender, cempasúchil, guaje, yuca, yarrow, elderberry, purple collards, lavender, rosemary, mullein, multiple sugarcane species, Andean oca, many mints and more!

ARTIST TEAM

Rawiyah Tariq - Performer, Co-Director, Artist Mentor, Co-Producer

Kayla May Paz Suarez - Performer, Co-Director

Jhia Jackson - Performer, Co-Director

Jessica Maria Recinos - Performer, Co-Director

Janesta Edmonds - Performer, Co-Director

Edna Mira Raia - Performer, Co-Director

Eric "Brooks" Walker - Audio Architect

Cellista - Audio Architect, Aerialist, Co-Director

S. Dillon Gardner - Scenic Designer

Jalua Dell - Wardrobe Designer

Nailah McGee - Wardrobe Designer

Aaron Simunovich - Lighting and Props

Essie DeVille - Stage Manager

Marquis Hart - Assistant Stage Manager, Crew

Jazmine Shannon - Crew

Scott Cameron - Rigger, Intrepid Rigging & Wrangling

Michelle Segura - Videographer

Jooyeon Kang - Assistant Camera Operator

Heatherina Lemon - ASL Interpreter

Jes "Mojo" DeVille - Creator, Conductor, Producer

Nicole Jost - Producer

Syr Beker - Producer

Simone Person - Graphic Design

ABOUT THE ARTISTS

A caramel skinned Afro-Boricua with loose curly hair, tattoos, and gold facial piercings wears burgundy velvet pants and a green vest bedazzled with sparkling glass. They are sitting in a wicker Peacock chair surrounded by Moroccan rugs and plants.

JES DEVILLE

  • Studying Global & Community Health through University of California, their work bridges the gap between embodiment and environment – using awe as an access-point for social practice. Through an ongoing cultural memory methodology, cirque-cabaret, conjure-arts, and community collaboration DeVille’s efforts herald performance as a means of reconciling the relationships we have with ourselves, our communities, and the lands we call Home.

    Jes’ mission of using a social permaculture framework to design for public wellness is supported by an EcoTherapy certificate from The Earthbody Institute and a Permaculture Design Certification from Occidental Arts & Ecology. Jes is a member of the International Association for Dance Medicine & Science as well as the American Circus Alliance, and continues to tour internationally, sharing all-ages learning journeys alongside performance works for stage and screen. Jes has performed at the Apollo Theater NYC, Fox Theater Oakland, Imperial Vancouver, for PBS series “Kids Do Science“, MTV and more.

    They are grateful to be uplifted as a regenerative artist of Design Science Studio’s inaugural cohort and as a 2021 Artist in Residence (AiR) and Teacher in Training for vertical-dance company Bandaloop.

Actor, Edna Mira Raia (she/her), seated against a blurry brick background. With an open mouth smile, she looks slightly up at the lens, sporting a bright red t-shirt and jean jacket with gray cotton hood and sleeves.

Edna Mira Raia

  • She won Best of SF Fringe 2018 for her solo show, ‘Altars for my Alters,’ which toured to Orlando Fringe. She is also a producer, dramaturg, director and drag artist.

    Visit her website at potatoesmashed.com, follow her on Instagram at @potatoesmashedcomedy, and check out her YouTube channel, @PotatoesMashedComedy.

Portrait of Rawiyah, a Black, fat queer non-binary femme from the chest up.Their eyes are open and they are facing the sun. Their face is framed by a cloud of black magnificently kinky hair.

Rawiyah tariq

  • Their roots are in queer, poly-amorous, fat community. Their tone is reflective of these roots. Their work is informed by how these intersect with their Blackness.

    Magic, massage, storytelling and performance art are tools they use to liberate, heal and reclaim space for marginalized communities and they believe in cohesive and somatic healing and holding practices that align body, mind and spirit.

    Rawiyah Tariq has danced on stages throughout the country with the award winning and internationally traveled troupe Rubenesque Burlesque as Magnoliah Black from 2009 to 2015. As a solo performer their work (often performed on mainstream stages) continues to reflect body liberation, visibility and self possession beyond the static sizest and often racist Eurocentric beauty myth.

    As 2022’s Witch in Residence with The Modern Witches Confluence, one of Diamond Wave’s Theyfriend featured artist and recipient of Queer Cat Production’s Artist Offering Rawiyah has centered and empowered marginalized communities.

    Connect to them on Facebook at facebook.com/RawiyahTariq, Twitter and Instagram at @mammyisdead, and their blog mammyisdead.com. You can also catch them as a feature in the film Fattitude, Heavenly Brown Body, and Rise.

Portrait of Jhia outside with her eyes closed and hands caressing her face.

JHIA JACKSON

  • Jhia uses her background in cheerleading, Dance for Parkinson's programming, and youth volunteer-work as a foundation for her community organizing today. Previously danced with RAWdance, PUSH Dance Co., Urban Bush Women, Joe Goode Annex, and Flyaway Productions.

Janesta poses in a crouched position in a yellow tailored suit with a multicolored patterned button down shirt with white accent makeup looking straight forward.

JANESTA EDMONDS

  • Through their creative vision, they seek to center Black stories, voices, and bodies, free from the constraints of colonialism and patriarchy.

    Visit their website at violetgemsproductions.com, and follow them on Instagram at @Thamagicalien and @violetgemsprods.

A Black woman with black and red dreadlocks in a neon green shirt.

Nailah McGee

  • Her focus on crochet comes from h mother, yet she has used this domestic and traditional skill to make works of impractical fashion.

    Their creations say everything that they cannot yet say. They tend to make clothes outside of their daily comfort zone, but while they’re creating, they’re imagining a version of themselves that would wear anything anywhere!

    Follow Nailah on Instagram at @eastbaycrochet.

An image of Dillon wearing a black latex open faced hood, white dress strapless dress posing behind a vase filled with pink and white roses.

S. Dillon Gardner

  • With a 200 hr Yoga Teaching Certification and certification in Floristry from The New York Botanical Gardens, Dillon’s life before energy work has been dedicated to the mastery of floral arts.

    With the collaboration of plants and cut flowers, Dillon creates botanical dreamscape scene installations and uses fresh and dry florals as tools to facilitate performance rituals for people to experience through Dillon’s domination and play. With the combination with eastern philosophy, medicine and movement, her intimate relationship with cut flowers informs and inspires Gardner’s radical approach to energy work and floral design.

    Follow Dillon on Instagram at @theverydirtygarden.

Portrait of Jessica kneeling outside on the sidewalk, her arms outstretched and looking up to the sky. She's wearing a black spaghetti strap tank top, red pants, and a denim jacket.

Jessica MariA recinos

  • Visit her website at jessicamariarecinos.com, risingrhythm.live, and follow her on Instagram at @jessicamarierecinos.

Portrait of Cellista, a woman sitting on a rock holding a cello on fire.

Cellista

  • These works are acts of resistance art. Employing a politically concerned, observant, and revealing voice, the pieces investigate the ruptures of daily life.

    Visit her website at cellista.net, follow her on Instagram and Twitter at @xcellistax, Facebook at Facebook.com/cellista.music, and check out her work on Bandcamp at cellista.bandcamp.com.

Portrait of Kayla May sitting outside in a Peacock chair adorned with plants. KMPS is wearing a yellow top and leaning forward, looking into the camera.

Kayla May Paz Suarez

  • KMPS was the Associate Artistic Director of SF-based Epiphany Dance Theater developing site-specific performance curriculum, installations, and events. Work includes: Red Ladder Theater, Berkeley Playhouse, and New Conservatory Theater.

    Visit her website at kaylamayps.com and follow them on Instagram at @kaylamay.p.s.

Black and white portrait of Brooks standing to the side, looking away from the camera, unsmiling. He’s wearing a dark hoodie and a wireless earbud is visible in his ear.

Eric “Brooks” Walker

  • The self proclaimed warrior in a garden also holds the titles of Garden Educator, Computer Scientist and a Connoisseur of music.

    Check out his work at goldmindersmedia.bandcamp.com.

Essie Deville

  • You can follow them on Instagram at @essiedeville.

Young white woman with red hair and silver jewelry wearing colorful overalls smiling.

JALUA DELL

  • They want to light a fire in your belly! They fight to share the magical feeling of when someone shares their art with you or when you get to share yours with others.

    They believe this metaphorical fire, created through the exchange of works, has the power to create true change and strengthen community.

    Check out more of Jalua’s work at their website jaluadell.com.

SPECIAL THANKS

Shafer Mazow, Andrew Burmester, Neil Higgins, Nikki Meñez, Colm McNally, and the entire team at Z Space

Zaccho Dance Theatre

Bandaloop UPDRAFT coaching team

Design Science Studio

Little Boxes Theater

Occidental Arts + Ecology

Planting Justice

Antoine Hunter, Urban Jazz Dance Company

Alan Chadwick Garden

Life Lab

Tala Wine

Goldminders Media

CA State Parks

Lily Rea, and all the Hotties

Moms

Nicolas

Izzie + Rudie

Forgetting Tree is supported by Theatre Bay Area, the Zellerbach Family Foundation, PUSH Forward Relief Fund, Yerba Buena Center for the Arts, the California Arts Council, and our community of donors. Thank you for supporting queer theater!

a message from queer cat productions

Dear Queer Cat Productions Community,  

We have some important news about our company: 

Queer Cat Productions will be shutting down operations this year. Forgetting Tree is our final show. 

Why Is Queer Cat Productions Shutting Down? 

The very simple answer is that arts funding is changing. A few months ago, we were envisioning a very different future. We were working towards our most ambitious show, and we were looking at formally incorporating as a nonprofit. Sadly, the grant landscape seems to be reverting to a pre-pandemic model. The loss of funding we have been relying on for years is too much for a small company like ours. We are just one of the many companies unable to weather the storm.

Does This Mean We Didn’t Win?

NO! Not at all. We think we won. And we want to celebrate with you, and thank you. 

We envisioned a performing arts company that was not just LGBTIA+ but queer, and we made it happen. 

We envisioned a theater company that paid and supported artists, and we did that!

We envisioned consent-forward, accessible theatrical experiences, and every year we grew towards greater accessibility, and greater care.

We had big dreams, and we went big. 

Queer Cat Productions is six years old! That’s a really good run: six years of laughter, joy, supporting artists, and being part of this community.

You made all that and more possible. Although we are closing, we are not going away.

Thank you so, so much. 

xoxo,

Queer Cat Productions